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      Tigers Jaw in Los Angeles

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      September 29, 2018

      Saturday   5:30 PM

      1822 W Sunset Boulevard
      Los Angeles, California 90026

      Tigers Jaw

      with The Sidekicks, Cherry
      Making yourself vulnerable isnt easy but it often makes for lasting art and that is certainly true of Tigers Jaws fifth full-length, spin. The album marks a new chapter for the Scranton, Pennsylvania-based indie rock band for many reasons: Not only is it the first collection of songs that was completely written and recorded solely by Ben Walsh and Brianna Collins, but it was also the first time they had a full month in the studio without having to worry about outside responsibilities. Furthermore its the inaugural release on Atlantic Records new imprint Black Cement, a label spearheaded by the bands longtime collaborator Will Yip who returned to the production helm for spin. All of these factors converged to create an album that sounds more fully formed than anything Tigers Jaw have done in the past and simultaneously establishes them as a band whose appeal truly transcends genres. While Walsh initially encouraged Collins to start singing lead vocals and songwriting with 2014s Charmer, the duos collective output on spin is a collaboration in the truest sense of a creative partnership. In a lot of ways this record is a return to the way the band started in the sense that it was coming from two people working very closely together and I think that resulted in something that was really cohesive, Walsh explains. The whole experience felt really organic even if the recording process was different than anything we had done in the past together. While Tigers Jaws previous four albums were recorded on tight deadlines and even tighter budgets, for spin the band would record six days a week for 10 hours a day over the course of an entire month and while the band didnt think theyd ever need that much time, ultimately they ended up utilizing every minute. Having all of that extra time allowed us to track everything song by song to give each individual track its own unique focus, Walsh explains. It allowed for the freedom to play around with different ideas rather than keeping things tied to the way we wrote the demos; the performances, tones and structures were really tailored to each individual track which gave us so much room to play around and experiment together. From the sweetly syncopated, fuzzed-out bliss of the opener Follows to the midtempo melodicism of June and liltingly lovely ballad Bullet, spin sees Tigers Jaw stretching out sonically and correspondingly Yip was the perfect person to encourage the duo to approach things in a different way than they would have initially conceived. Will is great at understanding what you want to get out of a song and pushing you to achieve that, Collins explains when asked about Yips role He had ideas especially about song structures that I might not have thought of and we had enough time in the studio to fully explore a lot of those ideas and see how they turned out. He didnt try to change the way we wanted the songs to sound but he allowed us to step outside of our comfort zone. Tigers Jaw have always been known for their incredibly relatable lyrics and for this album Walsh tried something new: He experimented with stream-of-consciousness writing as a way to get his ideas out of his subconscious in an unfiltered fashion. The lyrics I wrote for spin are very personal in the sense that theres a lot of material relating to mental wellness, coming to terms with getting older and pursuing something creative like this band even though that might not be the conventional path for someone my age, he explains. The album also sees Collins taking a shine to writing duties whether shes writing a love song like Same Stone or getting introspective on the dreamy sounding Brass Ring. Ultimately though, there isnt much distinction between Walsh and Collins on spin in the sense that the two of them come together to form a collective whole and not only do their styles perfectly complement each other, but at times their vocals are so in sync that its difficult to tell where one persons voice ends and the others begins. The two of us worked together so closely on this record especially when it came to layering our harmonies and I think along with open guitar chords and Casiotone organs, thats what really makes this album sound like us, Collins summarizes. We needed to do what felt like Tigers Jaw and I think we were able to do that in a really exciting way this time around.

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